Montreal – The Musée d’art contemporain de Montréal (MAC) and the National Film Board of Canada (NFB) unveiled the MAC’s brand-new exhibition, Alanis Obomsawin: The Children Have to Hear Another Story, recently that will continue till January 26, 2025, in the
. The exhibition dedicated to the work of Abenaki documentary filmmaker, activist, and singer Alanis Obomsawin, one of the most acclaimed Indigenous directors in the world, will be accompanied by an exclusive mural by artist Caroline Monnet: Wàbigon.
After having enjoyed great success in Berlin, Vancouver, and Toronto, The Children Have to Hear Another Story will highlight the work of Alanis Obomsawin in the heart of Montreal. Decade by decade, this retrospective provides an exhaustive panorama of her cinematographic, visual, and musical work. The exhibition looks at the motivations of the artist, who distinguished herself from a very young age with her strength and courage. The 1960s followed, a period during which she became known to the public as an artist and activist for Indigenous rights, and the subsequent decades were just as significant, showing the evolution of her trajectory and thinking. “All my life, I have been mainly interested in education, because it is through education that we develop, that we learn hatred or love.” – Alanis Obomsawin
The exhibition presents 13 of the 64 films Obomsawin made at the NFB, including her first, Christmas at Moose Factory (1971), which depicts a Cree community through the drawings and voices of its children; Kanehsatake: 270 Years of Resistance (1993), which was filmed behind the barricades during the Oka crisis; and We Can’t Make the Same Mistake Twice (2016), which follows a court case First Nations representatives filed against the federal government. These films are accompanied by archival documents shedding new light on their creative process, children’s drawings from Moose Factory, and masks, engravings, and monotypes by the artist.
“It is essential to support museums and exhibitions that promote Canadians’ access to heritage to learn from the past and shape the future. I am very proud that, thanks to our government’s investment, the Musée d’art contemporain de Montréal highlights the work of Indigenous artist and filmmaker Alanis Obomsawin and offers visitors a unique opportunity to discover the impact of her film work over the decades.” − Pascale St-Onge, Minister of Canadian Heritage