Montreal – The National Film Board of Canada (NFB) is back at the Festival du nouveau cinéma (FNC) this year with three films, including two in competition. The feature Les enfants du large (Ghosts of the Sea, micro_scope/NFB/Urban Factory), the only documentary in the National Competition section, will screen as a world premiere. Filmed all over the world, it charts director Virginia Tangvald’s fascinating quest to unravel a family mystery. Tangvald won the Pitch Premières Œuvres session, presented by Netflix at the FNC Forum, when she pitched the film in 2020. Meanwhile, Ehsan Gharib’s animated short Samaa (NFB), which will have its Quebec premiere, explores the transcendent power of music and movement. The festival will also screen the restored version of Michel Brault’s masterful Les ordres to mark the 50th anniversary of this landmark of Quebec cinema. The 53rd FNC takes place in Montreal from October 9 to 20, 2024.
National Competition
Les enfants du large (Ghosts of the Sea) by Virginia Tangvald (97 min) – WORLD PREMIERE
Screenings: Cinéma du Musée, Monday, October 14, at 7 p.m. (original version with English subtitles); Cineplex Odeon Quartier Latin Cinema, Friday, October 18, at 6:30 p.m. (original version with French subtitles)
A Canada-France co-production produced by micro_scope (Isabelle Couture and Élaine Hébert) with the NFB (Nathalie Cloutier) and Urban Factory (Frédéric Corvez and Maéva Savinien)
Press kit: mediaspace.nfb.ca/epk/ghosts-of-the-sea
- While searching for clues about the death of her brother Thomas, who was lost at sea, Virginia Tangvald embarks on a fascinating, cinematic investigation into her family’s dark secrets. Calling into question the idyllic life of her father, legendary sailor Peter Tangvald, her quest dismantles the myth of absolute freedom. At the end of a courageous journey that’s both deeply personal and universal, she finds hope that a toxic cycle has been broken.
- Born in the Caribbean Sea, Virginia Tangvald grew up in Montreal, where she studied theatre and classical guitar before settling on filmmaking as her art of choice. After graduating from INIS in 2015, she made several short films and videos for Montreal bands. She now lives in Paris. Les enfants du large, a fascinating quest to uncover the dark secrets of her family and her father, the famous adventurer Peter Tangvald, is her first feature documentary.
Les nouveaux alchimistes Short Film Competition
Samaa by Ehsan Gharib (2 min 27 s) – QUEBEC PREMIERE
Screenings in a short-film program: Cinémathèque québécoise, Sunday, October 13, at 6:30 p.m. Thursday, October 17, at 5 p.m.
Produced by the NFB (Maral Mohammadian)
Press kit: mediaspace.nfb.ca/epk/samaa
- A caged bird, yearning to fly, finds release through the transcendent power of music and movement. Revelling in the magic and mechanics of cinema, Ehsan Gharib crafts a striking, hand-painted animated short on the themes of freedom and ecstasy. In Iranian culture, samaa is the meditative practice of achieving a spiritual awakening through rhythm and movement. The film had its world premiere at the Ottawa International Animation Festival.
- Iranian-born Ehsan Gharib integrates photography, animation and design into his cinema. He created the animation for the award-winning NFB production Oscar(2016), Marie-Josée Saint-Pierre’s portrait of Oscar Peterson, and was part of the animation teams for the feature Jasmine Road (2020) and Disney-produced Disenchanted (2022). His directorial debut, the experimental short Deyzangeroo (2017), won a Golden Dove at DOK Leipzig. In Samaa (2024), he continues to experiment with the interplay between music and animated film.
Histoire(s) du cinéma section
Les ordres (Orders) by Michel Brault (1974, 107 min)
Screenings: Cinémathèque québécoise, Wednesday, October 16, at 7 p.m. (original French version with English subtitles)
Press kit: mediaspace.nfb.ca/epk/orders
This masterwork of Quebec cinema celebrates its 50th anniversary this year. The NFB is pleased and proud to be distributing the film to festivals, film clubs and other venues, in a version recently restored by Éléphant: mémoire du cinéma québécois.
Drawing on the testimonies of some 50 civilians who were detained after the War Measures Act was invoked in Quebec in October 1970, Les ordres (Orders) blurs the line between documentary and drama to tell the story of five fictional characters (three men and two women) from their arrest through to their release. The film won the award for Best Director at the 1975 Cannes Film Festival.